Our featured member this week is Jan Fraser, of Alberta. Says Jan:
“Art has been part of my life since childhood, with lessons at the Edmonton Art Gallery and encouragement from my Grand-Uncle, Murray MacDonald who was a former member of the Edmonton Art Club and a well known watercolourist. When Murray retired from the University of Alberta, he began teaching me every Sunday afternoon and eventually we had a three generation show with Murray, my Aunt and myself. There have been many shows since. My first job in education was teaching and writing Art courses for the Alberta Correspondence School. From there I moved on to Edmonton Public Schools with a varied career in which Art was always involved. I recently retired as Assistant Principal of an elementary school with a Fine Arts Focus. I have always preferred the spontaneity and experimentation possible with watercolor but in the past year I have been playing with carving modeling paste for a textured foreground with acrylic and watercolour paint. This allows me to play with texture and rock formations in the foreground.”
“The weather, landforms and atmosphere of Alberta have always been my inspiration. One maxim that I have is that painting material is all around us. We do not have to travel far to see and feel. Another is to approach art with a sense of play and experimentation in order to continue learning. I enjoy my three grandchildren (one of whom is autistic), travel with my husband Jud, gardening and golf. I am an active member of the Edmonton Art Club.”
Below is an example of Jan’s work. For more, please visit her website.
IWS Canada and CSPWC/SCPA Invite you to a 5 Day Celebration Event – September 28 to October 3, 2018
(Exact times and details may change due to weather conditions or events beyond our control).
This event is a celebration of not only watercolour but of how diverse cultures, by working together, can strengthen and enhance a community.
During these five days we will unite to celebrate our history, our differences and our common interests.
A community such as Richmond Hill, with its mosaic of residents from diverse cultures, its combination of urban and rural environment and its strong historical roots is an ideal venue for our Symphony in Watercolour Event.
Use the info-graphic below for an outline of the five day celebration, and visit this link for details. Bring your sketchbook and some plein air painting supplies if you like – there will be several opportunities to create!
Our jurors Peter Marsh CSPWC, OSA, SCA, TWS, Anne McCartney CSPWC, AWS, TWSA and Rainbow Ze (youth juror) have completed their task in choosing the paintings that will be exhibited during our ‘A Symphony in Watercolour’ exhibition this fall, September 28th to October 27th, in Richmond Hill, Ontario, Canada. A huge thank you to them – it must have been really hard to choose from all of the great entries we had – a total of 320 from 32 countries!
Also listed are paintings by the invited artists such as those who won our ‘150 Ways to Celebrate’ online contest last year, and the jurors and the presidents of our cooperating societies.
In addition to finalist paintings, there were many the jurors felt merited special mention. These will not be physically exhibited, but will also be posted on the website during the exhibition. They are listed below the finalist paintings.
Thank you to everyone around the world who entered our exhibition! Your enthusiasm and talent for watercolour, and your contributions to our understanding of your perspective through art, are why we exist. We couldn’t do this without you.
Look what arrived yesterday in the mail – our first award which will be given to one of the finalists in our A Symphony of Watercolour exhibition this fall in Richmond Hill!
There are approximately $100 worth of brushes here for the selected recipient, and the booklets and catalogues are for us to give out to attendees.
Thank you very much, Rosemary & Co., for sponsoring us with this beautiful set of handmade artist brushes!
‘A Symphony in Watercolour‘, an international exhibition and festival, jointly presented by IWS Canada and the CSPWC/SCPA, takes place September 28th – October 27th, 2018. There will be opening celebrations for 5 days at the beginning of the event and a special closing celebration at the end. Please join us!
“I was born in England and worked as a newspaper reporter before serving in the Royal Artillery for my national service. I wanted to go to Korea with my unit – I mean, free travel and all – but wiser heads prevailed and I was given a War Office job testing new recruits. I emigrated to Canada in 1956 and entered the photographic business, intending to make a career out of my hobby. Surprisingly, I spent the following 40 years in the photographic and audiovisual industry in various senior marketing positions. Eventually tiring of the corporate environment, and foolishly forgoing the satisfaction of a regular paycheque, I started my own digital imaging and creative production house in Toronto, where I still live. I am married with three lovely daughters and three grandchildren.
Over the years, I’ve enjoyed working in various art forms, in addition to photography and computer graphics. In the late 1970s, I expanded a childhood love of scratching initials on school desks and assorted trees, and began wood carving. I joined the Ontario Wood Carvers Association (OWCA), studied with famed carving teachers Joe Dampf, Benoit Deschenes and Wayne Barton, and somehow developed my own style of interpretive carving. I probably wasn’t paying attention. I was President of the OWCA during the 1980s, and edited their newsletter and website for several years. I showed my carvings in OWCA competitions and at the Canadian National Exhibition, and was completely ignored by the jurors.
I studied drawing at the Art Gallery of Ontario in 2004 and subsequently took up watercolour painting. Being a Brit, I figured this was the proper medium for me. I credit teacher Ruth Hayes with giving me assurance that I could handle this medium and Barry Coombs for introducing me to the finer points of brush handling, design and simplification. I have tried to pay attention. I have enjoyed workshops with Art Cunanan, Hi-Sook Barker, Doug Mays and Marc Gagnon, each of whom has been very patient.
More recently, I have begun to work with Acrylics, studying with Lila Lewis Irving and DiDi Gadjanski.
I am very fortunate to have discovered a friendly and supportive environment within the art clubs that have accepted me as a member.”
Below is an example of Tony’s work – “A Winter Walk”. For more about Tony Cook, please visit his website.